Feast of the Seven Sorrows of the Blessed Virgin Mary

The Seven Sorrows of the Blessed Virgin Mary

Haven't been at my computer much the past two days, but I needed to get this info out there as The Seven Sorrows of Mary, especially the Chaplet/Rosary is very important to me. I found this at the St. Lawrence Press Blog:

Today, Friday in Passion week, is the feast of the Seven Sorrows of the BVM. It is of greater-double rite. In the Breviary and Missal the texts for the feast are found in the Sanctoral at the end of March. The liturgical colour of the feast is white.

At Vespers yesterday morning the antiphons, Vadam ad montem etc, were proper to the feast and sung with psalms 115, 119, 139, 140 & 141. The chapter from Isaiah was proper and the hymn was the moving Stabat Mater dolorosa. The antiphon on the Magnificat and collect are both proper to the feast. After the collect of the feast a commemoration was sung of the preceding feast of St. Justin and then of the Passiontide feria. At Compline Te lucis is sung with the Doxology Jesu, tibi sit gloria, Qui passus es pro servulis etc.

At Mattins thee invitatory is proper, Dolores gloriosae etc. The hymn is Sancta Mater, a continuation of Stabat Mater. The antiphons and psalms are proper (the first antiphon Astiterunt, of course is the same antiphon sung at Tenebrae of Good Friday. The lessons in the first nocturn are from Isaiah. In the second nocturn the lessons are from a sermon of St. Bernard. In the third nocturn the lessons are taken from a homily of St. Augustine on St. John's Gospel. The ninth lesson is the homily for Friday in Passion week. The Te Deum is sung. At Lauds the antiphons, Vadam ad montem etc, are proper and sung with the Dominical psalms. The Office hymn at Lauds is Virgo virginum. After the collect of the feast a commemoration is sung of the Passiontide feria.

At Prime and the other Hours the hymns are sung to the special tone of the Doxology: Jesu tibi sit gloria, Qui passus es pro servulis, Cum Patre et almo Spiritu, In sempiterna saecula. At Prime the festal psalms are sung (Pss. 53, 118i & 118ii). In the short responsory the verse Qui passus es propter nostram salutem is sung. The short lesson is proper to the feast Generationem ejus etc.

Mass is sung after Terce. The Gloria is sung, the second collect is of Friday in Passion week. After the Tract Stabat Mater is sung as a sequence. The Creed is sung, the preface is of the BVM with the clause Et te in Transfixione and the last Gospel is of Friday in Passion week.

Private Masses may be of the Friday in Passion week with a commemoration (and last Gospel)of the Seven Sorrows.

At Second Vespers the antiphons, psalms, chapter and hymn are the same as were sung yesterday but the antiphon on the Magnificat is proper. After the collect of the feast a commemoration is sung of the Passiontide feria. At Compline Te lucis is sung to with the tone of the proper Doxology.

In the 'liturgical books of 1962' the Office of the Seven Sorrows has been reduced to a mere commemoration in the Office of the Friday of the 'First Passion Week'. However a rubric in the 1962 Missal allows two Masses of the former feast to be celebrated for pastoral reasons where devotion to the feast exists.

Now in the current calendar we have the Feast of Our Lady of Sorrows, which combines this feast and OLoS. Wiki has more info in succinct fashion: Feast of the Seven Sorrows and New Advent goes further in-depth: Feast of the Seven Sorrows.

I would still suggest praying the "Seven Sorrows Chaplet" today, what a perfect reason to do so, especially in Lent.

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